We're back on the DVD grind. Previously last November, I talked about why I feel that DVDs are better than streaming service in terms of it's bonus features and creativity. Call me crazy, but I think it's one of my funniest posts I ever made.
While I'm still fair with my opinion, I don't find all of the DVD covers to be great. The Disney DVD covers for the most part are memorable, but still fairly average product material. My absolute favorite DVD covers come from The Criterion Collection particularly old hollywood movies.
Arsenic and Old Lace (1944) - The two-tone color scheme makes this more spookier and thrilling. This feels like an extraordinary tribute and was made with real passion. I actually have the actual DVD in my collection since I preferably enjoy a newly remastered version of old movies. It became my first exposure to the all-time great movie directors. Frank Capra was a genius.
I originally watched 12 Angry Men (1957) on Tubi. This cover is still stellar though. I might prefer this over the original theatrical poster, but I still liked the detail of having the knife being included which is not the case here. But I do like the color palette alot. It's a very iconic movie for reasons.
I bought The Lady Eve (1941) for a limited time at the library. It looked interesting and turned out it was such an amazing film afterward. I honestly would love to see more artwork from old movies with this artstyle. Again, the two-tone color scheme makes this more compelling.
Also here's an additional image of the snake from the opening and closing credits.
Bringing Up Baby (1938) - The original theatrical poster is honestly not the best. This one's much more inventive and crafty. I absolutely love the soft textures of the leopard prints. I think it's still respectful that the two main characters are B&W and not fully revamped in color.
I don't feel comfortable trying to compare something like I complain about "better much more amusing things". But I have to make a statement to both the Criterion King of Jazz vs the theatrical version. Because it's both a problem and a solution.
Let me make an honest critque. I personally don't like a poster or just anything advertising related that has too much characters plastered onto it. It kinda spoils everything that you might experience, and sometimes it's utterly false what's actually in the film such as the poster below. It's very well-crafted and full of personality but to me it doesn't fit the overall quality of the original film. It feels like there's going to be a typical rom-com in it, which to be honest, this movie doesn't have. It may have some romance thrown into the mix but nothing that counts as "filler" at all.
I think the Criterion version of The King Of Jazz cover is the total opposite. It's simple but not too distracting, the font and words displayed aren't jumbled, and what's most creative of all is the rich feel of the red and turquoise palette similar to the movie being 2-strip Technicolor.
I honestly think it's ruining the art medium having too much details and characters stuffed into people's attention. It's not terrible but I do think it's getting a little stale.
The last two covers I'll be showcasing today all have similar styles to The Lady Eve cover art only I'm not familiar with any of these movies. I researched into Sullivan's Travels a little, but I haven't seen the entirety. Shout out to whoever made these. They are all awesome.
Now for animation. I researched into what animated films made it into the Criterion Collection and there's some interesting ones. But I'm aware of Wall-E the most. It's one of my favorite Pixar films so far. I think it's absolutely outstanding. The color scheme with this cover in particular is all dirty and dull but that's what the entire world Wall-E unfortunately lives in, and I adore it. Wall-E looks cute.
In conclusion, I think that as an artist myself, there should be more care and respect towards other artists who would love inventive and enthusiasm to something they enjoy and feel inspired to. I honestly have a ton of mixed feelings about Hollywood as it's been highly valued and also ruined for over a century. I still respect a ton of actors and directors not because they're famous or successful, but they appreciate what they give to the audience. Let's stop focusing on the negativity and see the positive of these icons for a reason. These posters in particular have given me a chance to reflect on what we still have as us looking for talent and appreciation.
BONUS 💥
This was me intentionally trying to make an animation poster back in 2023. I think it's very stylistic even though it felt like I created it for entertainment purposes. Maybe it's something I could make in the very future. Every classic animation studio had an experimental film. So maybe I should do the same.