I have no harsh feelings to say about Chuck Jones's work specifically Looney Tunes. I think alot of his cartoons are highly influential and funny to me. But in my taste, he isn't one of the greats as being a director. I do have problems with his cartoons, his paintings though are a different story.
This is an unpopular opinion, but his paintings he made after the classic looney tunes went to its final stage and onwards, are actually brilliant.
I have never seen Coyote dream of him actually catching the roadrunner. I wished that was what the Coyote and Roadrunner cartoons were actually like instead of the same plot of him catching the same thing over and over again.
I feel more drawn to Sam and Ralph's cartoons since in those, there are cartoons where the introduction is different and they have more characters by sometimes talking to each other.
I'll admit it, both of these paintings are gorgeous.
Robin Hood Daffy is probably one of my favorite Chuck Jones cartoons in the later era. I admire this one. Daffy's expression here is too impeccable.
Imagine what Foghorn Leghorn would've been if Chuck Jones made him. Promise me, it would've been alot less funnier and more wiser. I like his design though.
This is by far my favorite painting from Chuck Jones. Daffy + Fantasia's Sorcerer Apprentice would've been a hilarious parody.
I really like this Pepe Le Pew painting. This feels more "aesthetic" than the others I showed you so far.
Of course Chuck Jones himself was going to consider painting his more iconic scenes in his cartoons especially with Rabbit Of Seville, and I love it. This is coming from one of my favorite all-time frames in a cartoon ever.
A few more to look at
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