The Wolf and Cauliflower

 

My boys.

Here's the rough draft of the drawing.

Here's teensy little storyboard sketches for ya.

Made some imaginable merchandising concept art. Would these sell?

Here's extra random leftovers.

Examining Storyboards + More Wolf And Sheep Drawings

 

I want to examine some storyboards I downloaded on my save files. 

This past year I was so invested into learning more about how animation works. Right now, storyboards are the next thing I'm wanting to study.

Here's a unique one with Huckleberry Hound.

What I like about this is when to use certain sound effects when something happens in a scene, like the middle picture on the bottom. This is especially interesting because Huckleberry Hound is known for it's somewhat limited animation, so the style their going for in these storyboard sketches fit perfectly well.

Next is the Brer gang. Brer Fox, Rabbit, and Bear. I love all three of them, I find them quite memorable and energetic. 

These are some of my favorite animated bits from the final version of the Song Of The South film. 

Alot of expressive acting and narration involved here. You can see in a matter of time, the buildup gets more intense. 

It's really challenging to search Looney Tunes and Tom and Jerry storyboards, but I immediately looked for one that was nice and that's from a cartoon called Jerry's Cousin (1951), this was at a time when the Tom and Jerry cartoons themselves were more violent and rubbery as ever, so this is especially amusing. 

Muscles is one of those characters in the entirety of the franchise that actually talks, so this entire storyboard isn't all explaining what the animator needs to do in a singular scene. 

I showed you all some of my storyboards in previous posts, but I did make a new one yesterday.

01 - This mainly focuses on the boy interacting with the sheep and deciding to go on a peaceful walk with a shepherd crook.

02 - Focuses on The Wolf's house, inside showcases some grotesque imagery of animal parts and roasted animal food, and the Wolf's laboratory. 

So alright, yeah, the storyboards, the illustrations may be just your average sketches, mostly alot quicker to develop, but what's great is that once it's completed, I think the next main priority is to start drawing, and animating the construction of the characters that look more detailed and vivid. 

Whenever I draw The Wolf, it makes me feel like a better artist.

Here's a construction model for the sheep. He's got a more playful, nice attitude.

If I can think of more concepts, storyboards, and inventive characters, similar to this, I'll definitely post it in the future. 

Drawings 6/27/25

 

Reasons as to why I haven't posted for two days was because I was so busy drawing.

Here's some Preston Blair character look-alikes alongside Sovia characters.

This month was a craze of over hundreds of Leland and Roeanne doodles. I love drawing this couple. 

I felt like I mentioned this before in another post but Leland and Roeanne are our modern retelling of musical romance partners from the Golden Age Of Hollywood. 

I not only admire talents like Charisse, and Astaire but I love it more when their dancing, twirling, and whimsical peaceful music is playing in the background.

I miss this style of cinema so much. 

 

You all will probably love some new Wolf drawings.

I loved drawing his muzzle.

Now here's one extremely detailed, now this will leave you impressed.

I actually fully colored one.

I thought that red was a perfectly good color for his bandana. 







To end it off, here's two drawings of Roeanne. The last one is actually supposed to be a transparent image. 

Trying To Understand What Being An Animator Is Like - Part 4

 

Welcome back to Trying To Understand What Being An Animator Is Like, this is Part 4. 

The links to Parts 1-3 will be on the bottom of the page. 

When it comes to animation especially in the classic golden age, I assumed we all know the masters whether it would be someone like Frank Thomas, Ollie Johnston, Rod Scribner or directors like Chuck Jones, Bob Clampett and Tex Avery, all of those talents were surprisingly all men.

Now I have nothing against men, they are great, but I just never really expected to know too much animators who were women, not alot has been credited amongst them. This is what I have recently researched.

Yikes, I'm not kidding, but I recently searched the first ever female Disney animator and her name was Retta Scott, from what I gathered, she worked for Bambi, her animation is really unique and interesting.

As a female myself, I always dreamt being an animator, and bringing back that successful, pleasent and warmth feel of traditional 2D animation from the 30s-50s.

You'd think I wouldn't be able to design a character like these guys?

Drawing characters in this sorta style is really hard to do, but trust me if you can learn about Disney's Illusion Of Life and Preston Blair you'll get it.

The beastly wolf is one of the most distinctive looking characters I've drawn. He doesn't even look like an artmania character, and that's what I love about drawing him. He's also really hard to draw too. You'll have to construct the sphere of the head and practice drawing subtle human-like facial features.

Making a somewhat intriguing villain takes alot of skill, and knowledge, my main rule is to not make the personality seemingly laid-back or feel like their purposefully weak. 

These poses help understand what the wolf's main characteristics are alot easier, usually when I'm drawing a random character, I only focus on facial expressions, but the more I get used to drawing and constructing, I get to do so much more action and nature with it.

The selfish wolf devours his prey to capture the feel of a real ferocious beast.

It's also keen to say I love designing characters that look simple but have alot of construction in them. 

Recently I was experimenting with different types of pencils, I used a red colored pencil, and a normal pencil to sketch the extra details.  

Any similarities?

Inspired by the likes of Tex Avery and Scribner.

In a future post, I will be able to draw some classic characters for you guys, for now it's the most iconic and easiest cartoon character to draw in history. 

Usually when I'm watching an animated film, I don't know who at the studio animated which sequence because it just looks all alike, it's unimaginable, nowadays as a hobby, I watch animation reels. 

  

Here's a ton of facial expressions, this might be one of the most useful drawings I ever created, this may be my portfolio.

I know that someday as an old-school styled animator, this will recieve the amount of impact and appeal it gets.