Here's some camera angles I find distinctive and useful for inspiration. Since I'm an artist, particularly both hand-drawn and digital, and soon starting animation. I experience cinema very differently. I personally have a unique interest in inventive scenes from old movies, since I'm drawn to actors/actresses from the Golden Age of Hollywood. Also it makes films with creativity blooming effects and passion more enjoyable, at least to me.
Usually when I'm watching a movie, I just watch the characters talk, follow through the premise and easily appreciate them, but sometimes a film is so impactful, I could swear I wasn't watching just a movie at all, felt like a real experience and actors aren't acting their roles, they LIVE their roles.
Something about movies resonates me. I can relate to these movies. They aren't short cartoons just to laugh at.
A Streetcar Named Desire, The Grapes Of Wrath, It's A Wonderful Life, North By Northwest, Strangers On A Train, Mr. Smith Goes To Washington, all of those movies have a certain element to them whether it's the performances, the writing, etc.
This scene is from The Killers (1946). I have actually never heard of this movie until now. Apparently it's a mystery, and people enjoy it, so I might give it a chance. I like this shot because you can directly see the woman staring at an actor I'm familiar with Burt Lancaster. The whole situation looks amusing.
It's definitely an appealing scene.
Next is Suspicion (1941), I'm a fan of both Hitchcock and Grant, I'll get to another scene of them shortly, but this is by far the most iconic shots of the movie. We don't get to see Cary's face, it's almost completely silhouette. The shadow effect of the stairs is also outstanding.
I recently watched Touch By Evil (1958) a film directed by Orson Welles. He's by far my favorite directors when it comes to the cinematography and camera angles as I stated in his other films like Citizen Kane and Mr. Arkadin. This shot is just chef's kiss. It's so serious but sophisticated. I like that tough look on Orson's face. Also it being B&W while Technicolor was considered a standard process at this point, fit the film best.
Time for another Hitchcock movie starring Cary Grant, Notorious (1946).
Unlike Suspicion, I actually watched this film, and while I wouldn't say it's great, it's got a great scene in it. The whole scene is focused on Alicia's point of view as Devlin walks into the room and the camera starts to move downwards. It's satisfying.
Lastly for now is the close-up of Miriam's glasses from Strangers On A Train (1951). This is such a great shot in particular showcasing Bruno's utter mysterious but abusive behavior. I'm not going into too much spoilers even for a movie made 75 years ago.
And that's all I have for now. I may as well be doing a Part 2, maybe Technicolor version? Yet I haven't seen too much of old movies in color, but I'll definitely be on that trail very shortly. Besides I've shown you pictures from movies I have not yet seen so it is possible.