I recently discovered this obscure but underrated vocal trio called The Murtah Sisters, they're very comedic and energetic. Shame they didn't get more recognition.
I recently discovered this obscure but underrated vocal trio called The Murtah Sisters, they're very comedic and energetic. Shame they didn't get more recognition.
I'm sure someone like me grew up with the book version of Spookley and not the TV specials. I remember having this book as a little kid, it's nostalgic for alot of reasons. The colors, feel like autumn, it's lively and the story is quite memorable and heartwarming throughout it.
This is still one of the more amusing illustrations of this book in my opinion, I love the different shapes, colors given on each of the pumpkins.
Animation + Live Action is one of my all-time favorite tropes in film, and there's this gorgeous and fun scene in Anchor's Aweigh as a perfect example of it.
This scene happens when Joe Brady (Gene Kelly) tell as story about how he earned his medal. It opens with imaginary and lively scenery, with landforms and a castle. The effects in this movie are amazing.
The animated characters also move so gracefully, this is definitely that cutesy era the MGM cartoons were mostly forgotten for back in the late 30s-early 40s.
You really have to be professional and accurate in regards to the animated character looking directly at the live action actor.
This is beautiful. This was just decades before there was easy processes like computers and technology to make something like this work.
It was all about composition. We then get to see Jerry from of course Tom and Jerry, feeling lonely which doesn't fit his personality at all, but with a premise like this, it works.
I can think of many other examples of animation and live action not just with films but moments from those movies that just make the whole experience alot better like Mary Poppins, The Three Caballeros, and a rare short film titled Real Inside. Sure, it may not be the most flawless trope, I agree that it's become stale, and those realistic 3D versions of timeless cartoon characters are terrible, but still it can be really fun.
I made my very own storyboards of a ballerina who fell unexpectedly into a fantasy world. Enjoy!
The title of the post is not a joke. Cartoon Insanity will be a series of posts throughout the upcoming future.
There's this cartoon I've been thinking about for months. The animation is so rubbery and vivid that I need to talk about it.
It's called Bacall to Arms (1946) it's a Looney Tunes short planned by Bob Clampett, but was finished by Art Davis. As you can tell by what might be happening well...
The best moments are The Wolf's reactions. He's in similar vain to the wolf in Red Hot Riding Hood (1943) directed by Tex Avery. I'm highly sure that Clampett and possibly Davis loved Avery's MGM cartoons.
To me, designing a cartoon character is special since it's been basically my entire hobby for a complete decade. My 3 main characters, Phillips, Szac and Dredd The Moose are my most creative accomplishments as well as making my own series.
Well, I came here today to talk about why it's so enjoyable and always fun.
When I first watched a classic cartoon, I knew that it looked so different than cartoons I've experienced throughout my childhood.
My first classic cartoons were the Tom and Jerry shorts, then it continued from there like Jones' Hunting Trilogy and Silly Symphonies.
These were the best designs of animated characters I ever seen. They were advanced but well constructed, I discovered many talented works like Preston Blair and The Nine Old Men for character inspiration.
I'm much obsessed with model sheets, since they're so amusing yet very useful. Here's some interesting Disney models.
I like the different poses and directional angles.
While I do like how animation evolved throughout the years, I do tend to prefer how the characters looked back in the 30s to about 1955. They had more simpler approaches to designing them and there was more anthropomorphic and playful personalities than what came afterward.
This model sheet below is Brave Little Tailor (1938) probably the most iconic role for Mickey Mouse.
I love this entire concept of characters portrayed as classic old fables and imaginary stories. Examples of that are The Scarlet Pumpernickel (1950).
I'm also aware and careful about what's good and lively about characters. I'm not trying to make it bland or something sensory overload. I get most of my influences from Looney Tunes, Tex Avery, Spongebob, Gene Kelly and Crosby movies, the Spyro trilogy games, Garfield, pretty much anything Sherlock Holmes related, The Three Stooges, Song of The South's animated characters, Animaniacs, The Muppets and much more.
Not sure what you call it but most of these have sense of humor and straightforward premises to them.
You can tell where my leadway to creativity comes from.
Before this post is over, here's two more model sheets I really like.
Mickey Mouse must be the most modified cartoon characters ever made. What I know from the Disney model sheets made from the 50s to about the 80s was the publication date. For a while, I didn't even know when these were made and was always looking into the older model sheets for the date, but now I kinda know where it's referenced.
If you want to see my favorite model sheets, your gonna have to click on the link for the surprises.
https://www.traditionalanimation.com/wp-content/gallery/donald-duck/donaldmodelsheet8.jpg
https://vegalleries.com/sites/default/files/janmodel20345a.jpg
https://uploads.animationresources.org/pics/ibaverymodel04-big.jpg
Previously I looked into a comic and in that post I mentioned something about storyboards and how they can be useful for making a cohesive...