Rare Animated Cels

 

Nothing's been too interesting lately, but I'm glad it's September. I thought let me create a simple post this time and share some cel art, mostly Disney. 

It's inspired from Andrea Deja's Deja View blog. 

The first one. This is really cute, from Dumbo (1941). I'm pretty sure Dumbo himself was easy to ink and paint because he has less amount of colors than Timothy Q Mouse does. I bet the ink and paint team were really careful trying to noticeably point each color layer Timothy matches with like his clothes.

Here's another from the same movie. I bet the animators in general were having alot of fun drawing sets of rubbery and playful movements while the characters were dancing. 

Here's a stellar shot of The Headless Horseman from The Legend of Sleepy Hollow (1949), one of my all-time favorite Disney films, only professionals can pull off expressing the scene from where this took place. Nice colors too.

Something a little more random, but definitely not bizarre as it's different sets of poses not attached to the final product, from Pinocchio. I love the Pleasure Island scenes and I somewhat really like the warm colors of Lampwick here. 

Another classic Disney character, Brer Bear, tied up but enjoying and letting loose. This looks clean, and obviously love the atmosphere.

This is an excellent drawing of Tramp from well, Lady and The Tramp (1955). I like how he chews his bone, and has extraordinary amounts of detail. 

I heard that painting the more realistic characters like Cinderella were extremely difficult to manage, but it all turns out gorgeous and handsome looking. I really admire the layout to this one. I wonder what's happening outside. 

I surprisingly never watched Little Hiawatha, because it's a Silly Symphonies cartoon and it's in Technicolor, so I gotta watch this someday. Anyways, this is cute.

An interesting cel of Donald Duck from the animated short, Clown Of The Jungle (1947). I know this cuz I watched this loads of times also it was drawn by Hal King. My favorite overlooked animators.

Here's a funny cel of Prince Phillip with his horse Samson. I always felt absorbed by how different the animation in Sleeping Beauty looked. Couldn't tell if it was using the same techniques as previous old Disney films or something. 

Finally for the Disney cels is from The Ugly Duckling (1939), the lily pads are extremely pleasant and gorgeous, and I like the simplicity. Very appealing. 

BONUS 💥

Here is some more animated cels but they're from different franchises. Enjoy.

This Ren and Stimpy cel is just too perfect, from one of my favorite episodes of the show. I also love these designs best. They feel more at ease, and detailed.

This cel brings me back nostalgia. Rock Bottom used to be one of my all-time favorite episodes when I was a kid. The atmosphere, the concept is just impeccable and what made Spongebob just a great show. I talked about Season 1 of Spongebob already. Feel free to check it out.

Here's a neat cel of Sugar Bear from the Sugar Crisp adverts from the 60s-70s. 

And finally, I just gotta include one from  Looney Tunes. A personal favorite cartoon of mine, Duck Amuck. I love Chuck Jones's design of Daffy Duck the best, and so is his expressions, very good stuff. 

Recent Artmania Drawings Cuz I'm Bored

 

Today was kinda "eh" so for now I'll post my usual art.

I never ever read The Three Billy Goats Gruff before but I do know it stars three goats and a troll. Just like with the chihuahua and poodle movie idea I made on Valentine's Day, They're going to get their own feature film. 

You know how obsessed Disney is with their fairytale adaptations and somewhat decently handled original stories? Not all of the Disney movies based off fables were good. In fact some of them don't shut the hell up like with the two kings in Sleeping Beauty. 

Have you seen a fairytale adaptation that's similar to the original story? Not all of them, but even if they don't relate, it still can hold up.

What I like about Wizard Of Oz, Pinocchio, and Matilda was that they had more of a comedic and expressive approach. The slapstick, the style of songs and acting all feel different than what literature gives you.

{ THE ARTMANIA SHOW }

I made some new experiments to save the show. I added a phone. It's one of those antique wall telephones back in the 30s. I really love those. Wonder how they worked. 

Pretty cool to learn history in a show for once.

FIRST EPISODE 

The first isn't always the very first. I knew that from one of Tex Avery's shorts at MGM. His first short he made at that studio was The Early Bird Dood It but it was 2nd to be released.

But promise me, the first episode is going to be the very first of the Artmania Show. 

While I was stumbling across some entertaining shows nowadays, Mickey Mouse Funhouse has a pretty perfect start to their first episode. It begins with Mickey and his friends at his house until they open up their imaginative funhouse and begin their adventure there. I think the show is an approvement over the previous entries. It has a banger theme song and cute 3D designs. 

Where could I start with The Artmania Show? These are some random doodles of Phillips and Szac. One shows Szac thinking that making a stage theater is expensive, but since it's a cartoon, you can make it up as you go a long. 

That's what I love about art. 

Ox Fisher is what y'all are seemingly liking lately as far as I'm concerned. I mean he was based off an actor I think should get more recognition.

CROSSOVERS

I first heard about this type of genre when Hanna-Barbera was doing it. Seriously these were everywhere when I was born. We had Tom and Jerry pairing with Wizard of Oz. That's interesting. 

So why can I do it myself? 

The Princess

Cinderella would work perfectly in any genre.

I mean how simple is just going to the ball, and party until it's midnight? Sounds like a good plot for a TV episode.

I feel completely lost on this one because I really want to add the Disney version of it because it's the best looking there ever will be. 

But I dunno. Maybe if I manage to reach my career to the year 2046, it'll work.

But it is public domain, so whatever works I suppose.

Whenver you guys make something that has to involve heaven and hell, I'll totally make an animated segment of my designs of the angel and devil. 

I could imagine a live action musical centered around heaven and hell and having some stylish costume choices, like the angel being swapped to a boy and singing soothing songs while a bunch of harps float around in the spiritual clouds. While in hell, a sassy queen-size devil woman hails all her imps to perform some black metal songs.

School Drawing Shenanigans 

I'm almost out of school, and I'm not feeling the groove for it anymore. I don't care about it a bit anymore, but whatever the case, I still gotta finish whatever throws at me, and whenever it's time to break loose, I draw once more. 

I designed various poses of Dredd in his show suit.

I mostly studied it with the scenes involving Zoot Suit Daffy in Book Revue. 

This is Daffy at his most attractive.

Snoopy and Woodstock Don't Get Along

You know those stupidly foul parodies from popular TV shows and media back then? It's still a thing to this day. I like some of them like Saturday Night Live's Disney Vault. The Simpsons and Family Guy had some solid parodies, song parodies can also be stellar, even sometimes being better than the actual original, I like Weird Al, but mostly I like fairytale parodies done by classic cartoons. 

What do I make?

 

A comic about Snoopy talking and Woodstock complaining about it like the stubborn pale canary he is. 

Take this as a TV-14 demographic if you must.

THE THREE PIGS ARE SCREWED

Here I made an adult-oriented three little pigs. I didn't like the third act so here's the two acts.  

Truth is, these pigs personality traits feel similar with The Three Pigs Walt Disney made in 1933. I always loved the practical pig the best because the other two are completely identical to each other.

I think Sovia works as a golden age Disney film. Unfortunately, it's not as easy to boot up. Sequels, sequels, sequels. Mostly live action movies too.

I wanted Sovia to sound like an average joette, who speaks clearly it'll make you blush. As for her sidekick, The Working Squirrel, I'll have to hire an actor, it'll be more of a surprise.

Sovia is the Bambi of our modern generation. Lively nature scenes, an animal companion and a feminine protagonist. Main fact, is that there isn't a fictional villain, the villain is basically the rainforest where the characters live.

Here's the rest of the drawings I made this time at my comfort place.

TOM AND JERRY ADULT SKETCH

GENERIC DOG TALES 

Don't ask.

Artmania Drawings From The Past

 I kept inside some of my old artwork I did while still in high school and at home too and thought I'd show you some interesting drawings.

This is one of the first sketches of Angelica Pig I ever done, at least for now. This was definitely made during the end of 9th grade. 

The 2nd drawing reminds me of Tom's running cycle.

This is supposed to be a prototype of Cal Cow. He didn't get his full name about 2 years later but I can tell you this is a cow that has personality.

Back then I made Noble look like an anime teen boy who hasn't washed his hair for two months. 

Anyways, this sketch was inspired by Bugs Bunny's ballerina outfit and the expression he makes in the cartoon A Corny Concerto. 

Back then when I drew that picture, it was one of my favorite cartoons. 

I just loved the backgrounds and zany expressions and I was obsessed with the three characters on screen genre.

Now we get into the 10th grade drawings. 

I had no idea I still had drawings of Dutcher and Ben Obvious even with these designs. Apparently I had a sketchbook and I'm glad I still have it.

What was also in my sketchbook were a bunch of celebrities I created. Unfortunately I barely remember all of them so I don't really think they're going to be official. 

Jack Asley was still quirky even 2 in a half years ago.

When I designed Dutcher and Ben Obvious back in the early days of high school, they were alot different than what they are now.

Dutcher had a fluffy tail, for some reason and he looks like the caretaker type. I swear he talking to Ben Obvious about redundant morals.

Ben Obvious is more or so the guy in need of perfection, he's basically kicking his legs like he did a bad thing. 

I also had a character sketchbook during sophomore year and I managed to draw the most earliest designs of my characters imaginable, Mr. Cockedee for example. I named him Mr. Cockdee which is terrible so I'm glad I changed it. 

He looks like the type of guy who is self-protected at all cost.

When I seen this early design of Timmy Sheepdog I didn't even know I was actually bringing him back. I forgotten all about it after I redesigned him.

Lastly, Dumphrey Dog's design. He doesn't fit in with the detective genre so I'm proud he's more like Ren Hoek than anything else.

There's also characters that were left off and not used but just looking at them, they feel like they deserved to be needed.

And now I have 11th grade artwork. There's not too much but it is still interesting enough.

Just like with Porky Pig, Mr. Toad, Roger Rabbit, Huckleberry Hound, Donald Duck, and Tex Avery's Wolf having fantastic character designs, Ren and Stimpy don't give enough credit. 

I was obsessed with the art style of this show once that it influenced me immediately except for the godawful closeup gross imagery.

Montreal Fox and Spoiled Brat. This is probably the first drawing I ever made where they pair with each other.

Ox Fisher's 2nd design I ever made. Apparently I made this after I first experienced Billy Gilbert's performance in The Music Box (1932).

If you didn't know, Ox Fisher was the inspiration for that one scene in that short because it completely caught me off guard.

Behind it was a whole lot of educational brainrot.

Welp I'm done with drawings for now. I will post something more different tomorrow.